Tribute to the late Tom Bee, founder of the `Native rock band XIT (Rock)

Welcome to Indigenous in Music with Larry K, this week we welcome from Gallop, New Mexico, Tom Bee into the Spotlight. He’s the creator of the Native Rock and Roll band XIT. Two time GRAMMY winning producer and entrepreneur.  Since 1970 he has produced 14 albums under his belt.

Enjoy music from XIT, Chris Ferree, Mike Bern, The Spiritual Warriors, Tha Yoties, Link Wray, QVLN, Eagle & Hawk, The Mavericks, Pura Fe, Cary Morin, Jim Boyd, Sherman Alexie, Celeigh Cardinal, John Trudell, Freightrain, Shelley Morningsong, STOiK, Jah’kota, Plex, Drezus, Itz Lil Lee, Keith Secola, Garret T. Willie, Crystal Shawanda, Old Soul Rebel, Levi Platero, Blue Mountain Tribe and much more.

Look around our site to find out all about us and our programs and visit our SAY Magazine Library with all our featured guests.

OUR INTERVIEW IS 30 MINUTES INTO THE PROGRAM

TOM BEE

TOM BEE SAY MAGAZINE MUSIC FEATURE
TOM BEE OF XIT ON INDIGENOUS IN MUSIC WITH LARRY K

XIT 1ST ALBUM – PLIGHT OF THE REDMAN

XIT – WITHOUT RESERVATION

XIT

Adopted at birth, Tom Bee was born and raised in the reservation border town of Gallup, New Mexico. Best known as founder and featured artist with the popular 1970s music group XIT, Bee’s composition “(We’ve Got) Blue Skies” was recorded by Michael Jackson and The Jackson 5 on their worldwide hit album “Maybe Tomorrow.” This led to an artist, writer, and producer contract with Motown Records. While under contract with Motown, XIT released two widely acclaimed albums entitled “Plight of the Redman” and “Silent Warrior.” A single from the latter album entitled “Reservation of Education” went on to become a top 5 selling record in France and other European countries in 1973. The political overtones of Bee’s lyrics kept them from ever achieving superstar status in the United States, but the group developed a cult status in America and Europe, which has allowed their music to survive for the last thirty years.

In fact, one major newspaper once wrote, “These guys are to the Indians like the Beatles were to the White folks.” Amid a legion of loyal fans throughout the world, their live stage presentations drew comparisons by the media to the raw energy of the Rolling Stones. While at Motown, Bee also wrote and produced the title song “Joyful Jukebox Music” for Michael Jackson’s Swan Song album on the label. He also worked with Smokey Robinson on his first solo album “Smokey.” In 1979, one of his compositions “Red Hot” was a top Billboard dance hit by Taka Boom (Chaka Khan’s sister), and in 1985, U.K. Rockabilly sensation Shakin’ Stevens recorded Bee’s “Don’t Be Two Faced” on his highly successful album, “The Bop Won’t Stop.”

SOUND OF AMERICA RECORDS

Through the years Bee’s compositions have appeared on numerous other albums and special projects as well. In 1989, Bee formed Sound of America Records (SOAR), in the garage of his home. In 1995, Bee formed yet another company, SOAR Distribution LTD for the sole purpose of providing his clients with one-stop music from other independent labels and artists also producing Native American music. In 1999, SOAR purchased all three buildings that they had been leasing since 1991 to house their labels, publishing, and studio operations. SOAR was also enlisted as the exclusive Native American distributor for the Robbie Robertson records “Music for the Native Americans” and “Contact From the Underworld of Redboy,” on Capitol Records, and the multi-million seller “Sacred Spirit” on Virgin Records.

SOAR comprises three publishing companies and five different labels; SOAR, Natural Visions, Warrior, Dakotah, and Red Sea. SOAR now has over 300 quality titles of both contemporary and traditional music. Bee has said all along that SOAR was not the first company to record Native American music, but they were the first to take it to the next level. SOAR was, however, the first company to release traditional Native American music on compact disc. He was once quoted as saying “we took Native American music out of the trading posts and into the streets.” SOAR’s motto has always been “Quality titles, not quantity of titles.”

AWARDS

Bee’s radical efforts over a ten-year period helped in persuading NARAS to finally create a Native American Folk category in the Grammy’s. Besides numerous gold albums, Bee has received many awards, including the Eagle Spirit in 1994 from the American Film Institute in San Francisco and The Will Sampson Award in 1996 from the First Americans in the Arts. In 1998, Bee received the Producer of the Year Award from the First Annual Native American Music Awards (NAMMY’s). The following year he received the NAMMY’s Lifetime Achievement Award (1999). In 2001, Bee received a Grammy as Producer for Best Native American Music Album in the category’s inaugural year.

Mayor Martin Chavez, of the City of Albuquerque, proclaimed July 27, 2002 to be “Tom Bee Day,” in recognition of Bee’s accomplishments within the music industry as a recording artist, songwriter, record producer and multi-award winner. On February 8, 2003, Bee received the Lifetime Achievement Award from First Americans In The Arts in Beverly Hills, Ca. Most recently, on February 19, 2003, in New York City, Bee received the Lifetime Achievement Award from Four Directions Entertainment. Recent achievements include a 2004 Grammy nomination for his album “Reveal His Glory.” Bee won a Grammy for producing the 2004 Grammy winning record “Flying Free” by Black Eagle.

TOM BEE ON INDIGENOUS IN MUSIC WITH LARRY K
TOM BEE ON INDIGENOUS IN MUSIC WITH LARRY K

Indigenous in Music with Tracy Bone (Country)

Welcome to Indigenous in Music with Larry K. Today we’re celebrating 19 amazing years on the air, and what better way to mark this milestone than by welcoming back the artist who helped us launch this journey—Tracy Bone from Winnipeg, Manitoba! Tracy was one of our very first guests back in 2006, and she returns today with her powerful new single, “Make It Look Easy.” It’s a full-circle moment, and we couldn’t be more thrilled. 

Enjoy music from Tracy Bone, TRIBZ, Melody McArthur, Xoel Lopez, Willie Nab, Ximena Sarinana, Samantha Crain, Sara Kae, William Prince, Jasmine Netsena, Wayne Lavallee, Thea May, Linda McKenzie, Gary Small, Patty Davis, Sandra Sutter, War, One Way Sky, Stevie Salas, Old Soul Rebel, Latin Playboys, Link Wray, Detroit Blues Band, Raven Reid and much more.

Look around our site to find our all about us and our programs and visit our SAY Magazine Library with all our feature guests and visit and listen to our new Indigenous in the News program.

INDIGENOUS IN MUSIC WITH LARRY K AND EADSE

OUR INTERVIEW IS 30 MINUTES INTO THE PROGRAM

TRACY BONE

INDIGENOUS IN MUSIC WITH LARRY K AND TRACY BONE

TRACY BONE – STANDARDS

TRACY BONE – MAKE IT LOOK EASY

INDIGENOUS IN MUSIC WITH LARRY K AND TRACY BONE

ABOUT TRACY BONE

Tracy Bone is an award-winning Ojibwe singer-songwriter from Winnipeg, Manitoba, whose powerful voice and heartfelt lyrics have made her a celebrated force in Indigenous music. Known for blending country, soul, and pop influences with messages of resilience, empowerment, and cultural pride, Tracy has spent nearly two decades inspiring audiences across North America.

Tracy first rose to prominence in the early 2000s and was the very first guest on Indigenous in Music with Larry K back in 2006. Since then, she has earned multiple music awards and nominations, including recognition from the Aboriginal Peoples Choice Music Awards and Canadian Aboriginal Music Awards. Her emotionally rich songwriting and commanding stage presence continue to connect deeply with fans.

Now, in 2025, Tracy returns with her brand-new single, “Make It Look Easy”—a bold and uplifting anthem that showcases her growth as both an artist and a storyteller. As she reclaims the spotlight, Tracy Bone continues to be a trailblazer and a voice for Indigenous women in music.

CONTACT INFORMATION

EMAIL: [email protected]
FACEBOOK: www.facebook.com/TracyBoneSongs
INSTAGRAM: tracybonesongs
LINKEDIN: linkedin.com/in/tracy-bone-416b42a6
YOUTUBE: www.youtube.com/@tracyandjc
INTERVIEWS: [email protected]

INDIGENOUS IN MUSIC WITH LARRY K AND TRACY BONE

DONATE TODAY TO INDIGENOUS IN MUSIC, WE NEED YOU HELP!

SHOW SOME LOVE AND MAKE A DONATION

Visit us on our music page at IndigenousinMusic.com and our homepage at indigenousinmusicandarts.org. We have underwriting opportunities available. Indigenous in Music, a non-profit, section 501(c)(3).

July 14th “Voices from the Land: Keaton Sunchild on Sacred Sites Under Fire”

INDIGENOUS IN THE NEWS WITH KEATON SUNCHILD

“This week on Indigenous in the News, we’re sounding the alarm. A hidden provision in the U.S. Senate’s 2025 budget reconciliation bill could lead to the forced sale of millions of acres of public land—land that includes sacred Native sites, hunting grounds, and ancestral homelands. Our guest is Keaton Sunchild, Federal Director of Government and Political Relations for Western Native Voice, and a powerful advocate for tribal sovereignty. He joins us to break down what’s at stake, why this fight matters to all of Indian Country, and how we can act now to protect the land our communities have stewarded for generations.”

ENJOY OUR INTERVIEW WITH KEATON SUNCHILD

ABOUT KEATON SUNCHILD

Keaton Sunchild (Chippewa-Cree) is the Federal Director of Government and Political Relations for Western Native Voice. A dedicated advocate for tribal sovereignty and Indigenous rights, Keaton leads federal policy efforts to protect Native lands, expand voting access, and elevate Native voices in Washington, D.C. He holds degrees in sociology and political science from the University of Providence and studied law at the University of Oregon. Keaton is committed to empowering Native communities through civic engagement, legislative reform, and grassroots organizing.

ABOUT WESTERN NATIVE VOICE

Western Native Voice (WNV), often informally called the Western Native Alliance by some, isn’t a coalition of tribes but a Montana‑based nonprofit organization dedicated to empowering Native communities through civic engagement, leadership development, education, and public policy advocacy. Founded in 2011 and formally incorporated as a 501(c)(4) in 2022, WNV operates across all seven Montana reservations and major urban centers—reflecting its mission to serve both rural and urban Native populations .


Core Programs & Focus Areas

WNV centers its work around four main program areas:

  1. Educate – Delivers culturally grounded civic and political education in schools, tribal settings, and community forums.
  2. Engage – Mobilizes voters and boosts Native civic participation through registration, ballot access, and community outreach.
  3. Lead – Trains emerging Indigenous leaders through workshops, mentorship, and events like the Building Bridges, Building Power tour.
  4. Advocate – Pushes for policy change at the state and federal levels covering voting rights, tribal sovereignty, health access, cultural preservation, food security, and more.

Impact & Strategy

  • State Advocacy: Actively lobbies the Montana legislature on issues like removing voting barriers, protecting tribal sovereignty, and expanding health coverage.
  • Grassroots Engagement: Hosts citizen action trainings, organizes community action days, and offers legislative workshops to empower individual advocacy.
  • Federal Presence: Established a Washington, D.C. office to influence federal policy on Indigenous justice, Missing and Murdered Indigenous Persons (MMIP), land protections, and more.

Why It Matters

Western Native Voice builds from the ground up, centering Native voices in policy and civic life. Its efforts:

  • Boost voter turnout and Census participation in historically underrepresented Native communities
  • Offer training and mentorship to the next generation of Native leaders, shaping leadership that’s rooted in cultural identity
  • Advocate for tribal sovereignty and policy respect—such as protecting tribal IDs for voting and defending fee-to-trust land rights

CONTACT

EMAIL KEATON: [email protected]
PHONE: 202-464-3263

INDIGENOUS IN THE NEWS

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INDIGENOUS IN THE NEWS WITH LARRY K AND GARY WILCOX








Gary Small in our Spotlight Interview (Blues, Reggae)

Welcome to Indigenous in Music with Larry K, Today we welcome Gary Small, award-winning guitarist, songwriter, and proud member of the Northern Cheyenne Nation. With a career spanning decades, Gary’s music blends blues, reggae and rock like no other. He’s here to talk about his brand-new EP Guitar Man, and his powerful new single Silent No More, created with Patty Davis to honor Missing and Murdered Indigenous Women.

INDIGENOUS IN MUSIC WITH LARRY K AND GARY SMALL

Enjoy music from Gary Small & the Coyote Bros, Billy Joe Green, Bluedog, Thea May, MATCITIM, QVLN, Morgan Toney, Patty Davis, Buffy Sainte-Marie, Aysanabee, Susan Aglukark, Nige B, Coletta, Rezcoast Grizz, Quantum Tangle, Indian City Fiebre Amarilla, Flimingo Star, Jota Quest, Rellik, Midnight Shine, Tracy Bone, Leela Gilday, Paula Lima, Julian Taylor, Trent Agecoutay, William Prince and much more.

Look around our site to find our all about us and our programs and visit our SAY Magazine Library with all our feature guests and visit and listen to our new Indigenous in the News program.

ENJOY OUR INTERVIEW 30 MINUTES IN OUR PROGRAM

INDIGENOUS IN THE NEW WITH GARY SMALL AND PATTY DAVIS

MMIW AWARENESS & ACTION

“Every year, thousands of Indigenous women and girls go missing or are murdered across North America. In the U.S., the violence rate against Native women is over ten times the national average in some areas—yet most of these cases receive little attention and often go unsolved. The crisis is real, and it’s ongoing. We urge you to learn more, speak out, and support organizations fighting for justice. Let’s raise our voices for those who can’t. Missing and Murdered Indigenous Women—we will not forget.

KEY FACTS

The Crisis at a Glance:

  • Indigenous women face murder rates more than 10 times the national average in some U.S. regions.
  • In Canada, Indigenous women make up 4% of the population, but over 16% of all female homicide victims.
  • Thousands of Indigenous women and girls have gone missing or been murdered over the past few decades—many cases remain unsolved or under-investigated.

CONTACT INFORMATION

Gary Small: revgsmall@hotmail
Phone: 307-674-5204
Website: coyotebros.net

ABOUT GARY SMALL

Gary Small is a celebrated Native American musician, guitarist, and songwriter, and a proud member of the Northern Cheyenne Nation in Montana. Raised in Montana and Wyoming, he has spent over 15 years performing across the West Coast and beyond, blending genres like blues, rockabilly, Latin, and reggae into a signature sound that honors his cultural roots.

Small leads the band Gary Small & the Coyote Bros., known for their high-energy performances and genre-blending music. The band has earned multiple Native American Music Awards (NAMMYs), including:

  • Songwriter of the Year (2002)
  • Best Rock Recording (2007)
  • Male Artist of the Year (2011)

Their discography includes albums like Blues from the Coyote (2005), I Don’t Play by the Rules (2008), and Hostiles & Renegades (2012). Tracks such as “Cheyenne Blue,” “Crazy Woman Mountain,” and “Indian Cars, Indian Bars” showcase Small’s ability to weave storytelling with musical craftsmanship.

INDIGENOUS IN MUSIC WITH LARRY K AND GARY SMALL

Beyond his music career, Small holds a Master’s degree in education and has worked with the Indian Health Service, promoting health scholarships and job opportunities. He is also dedicated to youth mentorship, conducting music clinics in Native communities to inspire the next generation of artists. His recent collaboration with Patty Davis on the song Silent No More continues his mission to use music as a platform for advocacyNige B, also known as Nigel Bell, is a remarkable artist whose musical talents span a wide range of genres including Hip-hop, Jazz, Indie, and Post-Rock. His unique sound is a fusion of global influences, integrating rhythms from South Africa, melodies from Nigeria, and diverse elements from Turtle Island, creating music that transcends borders and resonates universally.

His skills on the guitar and bass are prominent throughout his work, with each note contributing to a harmonious blend of sounds. Nige B’s music is not just an assemblage of tracks, but an introspective journey that delves into themes of love, transition, and emotional depth. His poignant lyrics paired with compelling melodies underscore his evolution as an artist, making his recent works some of his most captivating yet.

Nige B also extends his talents to other projects, playing key roles in bands like Me The Guts and Night Switch, and he is committed to teaching and mentoring young artists in Stanley Mission. 

His collaboration with acclaimed artists like Awon reflects his dedication to musical exploration and innovation. His growing influence in the industry is evidenced by his nomination for “Breakthrough Artist Of The Year” at the International Indigenous Hip-hop Awards, marking him as an influential figure in the music world.

DONATE TODAY TO INDIGENOUS IN MUSIC, WE NEED YOU HELP!

SHOW SOME LOVE AND MAKE A DONATION

Visit us on our music page at IndigenousinMusic.com and our homepage at indigenousinmusicandarts.org. We h

July 7 – “Empowering Native Entrepreneurs: The Vision Behind the American Indian Expo with Tracy Stanhoff”

INDIGENOUS IN THE NEWS WITH TRACY STANHOFF

Tracy Stanhoff is President of the American Indian Chamber of Commerce of California and a proud member of the Prairie Band Potawatomi Nation. A former Tribal Chairwoman and founder of AD PRO, she brings over 30 years of experience in marketing, leadership, and Indigenous advocacy. Tracy is committed to advancing economic opportunities for Native communities. She joins us to talk about the 2025 American Indian Expo, July 13–15, a powerful gathering celebrating Native business, culture, and innovation.

ENJOY OUR INTERVIEW WITH TRACY STANHOFF

AMERICAN INDIAN CHAMBER EXPO

INDIGENOUS IN THE NEWS WITH TRACY STANHOFF

ABOUT THE CHAMBER

🏛️ Mission & History

  • Founded in 1995/1996, the AICCC is a tribally‑centered, business‑leader nonprofit based in Los Angeles.
  • Its mission is to empower American Indian, Alaska Native, and Native Hawaiian entrepreneurs by providing education, mentoring, advocacy, and networking, fostering economic self‑sufficiency and cultural empowerment through business ownership.

🎯 Key Programs & Services

  • Monthly Meetings & Webinars offer technical training, procurement readiness, and networking .
  • The APEX Accelerator supports business readiness through targeted coaching and advocacy for supplier diversity.

🌟 Signature Events

  1. Annual EXPO (July 13–15, 2025)
    A 2½‑day flagship event with tribal‑leader summits, plenary sessions, networking, one‑on‑one procurement opportunities, and a Junior Youth EXPO for Native youth.
  2. Native American Heritage Month Luncheon (Nov)
    Featuring the Warrior Awards and scholarship presentations.
  3. Fall Entrepreneurial Summits
    Focused on entrepreneurship and procurement education—like the recent one at Enterprise Rancheria in 2024.

🤝 Impact & Influence

  • Acts as a bridge between tribal enterprises, Native entrepreneurs, corporations, and government, ensuring inclusion in supply chains and national policy.
  • Provides career networking, mentorship, internships, and scholarships for Native students and professionals, connecting them with industry leaders.

📊 Scale & Funding

  • A 501(c)(6) nonprofit headquartered in Los Angeles (EIN 95‑4552148), led by Principal Officer Tracy Stanhoff.
  • Annual revenue (~$520k in 2022) covers programming, staff, events, scholarships, and technical support projects.

✅ In Summary

The AICCC strengthens Native entrepreneurship through high-impact events, ongoing programming, and strategic advocacy, while cultivating youth leadership and expanding corporate and government partnerships.

INDIGENOUS IN THE NEWS WITH TRACY STANHOFF

CONTACT

EMAIL: [email protected]
PHONE: 714-898-6364 

INDIGENOUS IN THE NEWS

Donate today and show your support!

INDIGENOUS IN THE NEWS WITH LARRY K AND GARY WILCOX

NIGE B in our Spotlight Interview

Indigenous in Music with Larry K – Nige B in our Spotlight Interview (R&B)

Welcome to Indigenous in Music with Larry K, on this show we welcome Nige B of the Lac La Ronge Indian Band—a rising star in Indigenous hip hop. With five studio albums to his name, his latest project, Reshape // Refashion, delivers a bold and honest look at personal growth and transformation.

Enjoy music from Nige B, Coletta, Rezcoast Grizz, Shon Denay, iskwe, Gladwyn Badger, Mitch Walking Elk, Hataalii, Cary Morin, Martha Redbone, Dubbygotbars, Truent, Melody McArthur, Inez Jasper, Fawn Wood, Mariame, Supaman, Leela Gilday, Gary Small, Patty Davis, Paula Lima, Leonard Sumner, Aysnabee, DJ Bitman, Eadse, Julieta Venegas, Tracy Bone, Sara Kae, Mike Paul Kuekuatsheu, Novalima, Nuxalk Radio, Vince Fontaine and much more. 

Look around our site to find our all about us and our programs and visit our SAY Magazine Library with all our feature guests and visit and listen to our new Indigenous in the News program

INDIGENOUS IN MUSIC WITH LARRY K AND NIGE B

OUR INTERVIEW IS 30 MINUTES INTO THE PROGRAM

NIGE B IN OUR SAY MAGAZINE FEATURE

INDIGENOUS IN MUSIC WITH LARRY K AND NIGE B
INDIGENOUS IN MUSIC WITH LARRY K AND NIGE B

NIGE B NEW ALBUM – RESHAPE // REFASHION

NIGE B ON INDIGENOUS IN MUSIC WITH LARRY K

ABOUT NIGE B

Nige B, also known as Nigel Bell, is a remarkable artist whose musical talents span a wide range of genres including Hip-hop, Jazz, Indie, and Post-Rock. His unique sound is a fusion of global influences, integrating rhythms from South Africa, melodies from Nigeria, and diverse elements from Turtle Island, creating music that transcends borders and resonates universally.

His skills on the guitar and bass are prominent throughout his work, with each note contributing to a harmonious blend of sounds. Nige B’s music is not just an assemblage of tracks, but an introspective journey that delves into themes of love, transition, and emotional depth. His poignant lyrics paired with compelling melodies underscore his evolution as an artist, making his recent works some of his most captivating yet.

Nige B also extends his talents to other projects, playing key roles in bands like Me The Guts and Night Switch, and he is committed to teaching and mentoring young artists in Stanley Mission. 

His collaboration with acclaimed artists like Awon reflects his dedication to musical exploration and innovation. His growing influence in the industry is evidenced by his nomination for “Breakthrough Artist Of The Year” at the International Indigenous Hip-hop Awards, marking him as an influential figure in the music world.

CONTACT INFORMATION

EMAIL: [email protected]
WEBSITE: https://nigebmusic.com
FACEBOOK: www.facebook.com/nigel.bell.17458
INSTAGRAM: www.instagram.com/nigeb_music
BANDCAMP: https://nigeb.bandcamp.com/
YOUTUBE: www.youtube.com/channel/UCHFo6du3TgaZnnBlFhhVHtA
INTERVIEWS: [email protected]

NIGE B ON INDIGENOUS IN MUSIC WITH LARRY K

DONATE TODAY TO INDIGENOUS IN MUSIC, WE NEED YOU HELP!

SHOW SOME LOVE AND MAKE A DONATION

Visit us on our music page at IndigenousinMusic.com and our homepage at indigenousinmusicandarts.org. We have underwriting opportunities available. Indigenous in Music, a non-profit, section 501(c)(3).

June 30 – Saving LIves in Indian Country: Global Respose & Tribal Communities

INDIGENOUS IN THE NEWS WITH GLOBAL MEDICAL RESPONSE

“Today on Indigenous in the News, we’re honored to welcome two distinguished guests. Joining us is Samuel Flores, the National Tribal Relations Manager for Global Medical Response, who works closely with Tribal nations to strengthen emergency medical services and ensure access to life-saving care in Native communities. Also with us is Jason Carrizosa, Chief Administrative Officer for the Morongo Band of Mission Indians, a leader in Tribal governance and community development. Together, they’ll share insights into the evolving landscape of Tribal healthcare, emergency response, and the partnerships driving meaningful change in Indian Country.

Global Medical Response

INDIGENOUS IN THE NEWS WITH GLOBAL MEDICAL RESPONSE

ABOUT SAMUAL FLORES

Samuel Flores is a member of the Morongo Band of Mission Indians and grew up just outside of the reservation before moving to Washington State. Samuel has been working in the Emergency Medical Services (EMS) industry since 2001. Starting out as an EMT then working as a critical care paramedic for over 20 years for American Medical Response (AMR) and REACH Air Medical Services. Today, Samuel serves as the National Tribal Relations Manager for Global Medical Response, the parent company of AMR and Reach Air and has obtained his Bachelor of Science degree in healthcare management and a master’s in business administration (MBA). Samuel has been happily married to his wife Teresa for 21 years and they have 3 beautiful children, Sam Jr. (21), Madison (20) and Daniel (16).

ABOUT JASON CARRIZOSA

Jason Carrizosa is the Chief Administrative Officer for the Morongo Band of Mission Indians, where he leads Tribal government operations with a focus on economic development, financial governance, and strategic innovation. A proud Morongo tribal member born and raised on the reservation, Jason brings over 16 years of dedicated service to his community.

In his role, he oversees key Tribal departments and the management of Sovereign Funds, applying his expertise in financial analysis, budgeting, and contract negotiations. Jason’s leadership has been instrumental in developing impactful Tribal programs and advancing new business opportunities that strengthen Morongo’s long-term prosperity.

With a strong educational foundation and a deep commitment to his people, Jason continues to explore new ways to enhance the lives of Tribal members while ensuring the legacy of Morongo’s success remains enduring.

CONTACT

Samuel Flores
National Tribal Relations Manager
360.609.7563

ABOUT GLOBAL MEDICAL RESPONSE

Global Medical Response (GMR) is a leading provider of comprehensive emergency medical services, delivering care to over five million patients annually. Headquartered in Lewisville, Texas, GMR employs nearly 35,000 professionals who offer compassionate, quality medical care, primarily focusing on emergency and patient relocation services across the United States and internationally. R

GMR was established through the consolidation of industry leaders in air and ground emergency medical services, including American Medical Response (AMR), Air Evac Lifeteam, REACH Air Medical Services, Med-Trans Corporation, AirMed International, and Guardian Flight. This integration has enabled GMR to build an extensive network of ground and air clinical teams, ensuring patients receive the appropriate level of care promptly, regardless of the situation.

The company’s mission is to provide care to the world at a moment’s notice, emphasizing timely, equitable, and appropriate access to healthcare for all individuals, irrespective of their location. GMR offers a range of services, including emergency medical services, patient relocation, disaster response, and integrated healthcare solutions.

In addition to its core services, GMR is committed to employee development and well-being. The company offers programs like “Earn While You Learn,” providing individuals with education and training to become certified Emergency Medical Technicians (EMTs) while earning a wage. Furthermore, the GMR Employee Foundation, established in 2005, offers financial assistance to employees facing severe hardships due to catastrophic events. ​

GMR’s dedication to innovation and excellence in emergency medical services has positioned it as a leader in the industry, continually striving to enhance patient care and access to medical services worldwide.

“Investing in Youth: Manuel Zavala on Education, Equity, and Empowerment”

INDIGENOUS IN THE NEWS WITH MANUEL ZAVALA

“Joining us today is Manuel Zavala, an innovative educator and entrepreneur committed to empowering the next generation. He’s the founder and CEO of Student Hires, an organization that partners with K–12 schools to provide after-school and career readiness programs led by local college students. With a background in teaching and a passion for bridging the gap between education and real-world experience, Manuel is helping young people unlock their potential and build brighter futures. We’re excited to welcome him to the show!”

ENJOY OUR INTERVIEW WITH MANUEL ZAVALA

INDIGENOUS IN THE NEWS WITH MANUEL ZAVALA

MEET FOUNDER MANUEL ZAVALA

INDIGENOUS IN THE NEWS WITH MANUEL ZAVALA

ABOUT MANUEL ZAVALA

Manuel Zavala is an educator and entrepreneur dedicated to enhancing student career readiness through experiential learning. He is the founder and CEO of Student Hires, an organization that partners with K–12 schools to provide after-school and expanded learning programs led by local college and university students .

Zavala’s journey began as a high school computer science teacher, where he identified gaps in the education system regarding practical, project-based learning. In 2015, while attending the University of California, Riverside, he founded Student Hires to address this need . Initially, the organization operated as a student-run creative agency, offering web and graphic design services to local businesses and providing university students with income and portfolio-building opportunities. By 2018, Student Hires expanded to offer educational programs aimed at preparing high school students for technology careers and facilitating their transition into entry-level jobs within the community.

Beyond Student Hires, Zavala has founded other education-focused ventures, including Afterschool.org, and maintains an active presence on platforms like YouTube, where he shares insights on student development and entrepreneurship.

CONTACT STUDENT HIRES

Email: [email protected]
Phone: 909-496-7557
Website: studenthires.com[email protected]
Youtube: www.youtube.com/@studenthires
Linkedin: linkedin.com/in/manuel-zavala-5017a98a
Manuel website: manuelzavala.com

INDIGENOUS IN THE NEWS

Donate today and show your support!

INDIGENOUS IN THE NEWS WITH LARRY K AND GARY WILCOX

Thea May in our Spotlight Interview (Alt Rock)

Welcome to Indigenous in Music with Larry K, this week we welcome rising Anishinaabe artist Thea May, a fearless voice from Atikameksheng Anishnawbek. Her debut EP Brought To You By Tragedy dives deep into themes of loss, love, and resilience, blending alternative sounds with heartfelt storytelling. With powerful vocals and raw emotion, Thea is quickly making her mark in Indigenous music. 

Enjoy music from Old Soul Rebel, Samantha Crain, Def-i, Marie Font, Q052, David Strickland, Blue Moon Marquee, Duke Robillard, Mitch Walking Elk, Jessica Hernandez and the Deltas, Martha Redbone, Willie Nab, Irv Lyon’s Jr, Joanne Shenandoah, Jullian, Taylor, Nige B. Coletta, Shon Denay, Big Skoon, Leela Gilday, Eadse, Khu.eex, XIT, Natalie Calvier, Indian City, Richie Ledreagle, Shylah Ray Sunshine, Stolen Identity, Elastic Bond, DJ Bitman, Iskwe, Nina Hagen, Aterceopalodos and much more.

Look around our site to find out all about us and our programs and visit our SAY Magazine Library with all our featured guests.

OUR INTERVIEW IS 30 MINUTES INTO THE PROGRAM

INDIGENOUS IN MUSIC WITH LARRY K AND THEA MAY

THEA MAY IN OUR SAY MAGAZINE FEATURE

INDIGENOUS IN MUSIC WITH LARRY K AND THEA MAY
INDIGENOUS IN MUSIC WITH LARRY K AND THEA MAY

THEA MAY – GONE

CONTACT INFORMATION

BOOKINGS: [email protected]
WEBSITE: theamaymusic.com/home
SPOTIFY: open.spotify.com/artist/6xLGFcntYI6WZdy54Qd7Ar
FACEBOOK: facebook.com/theamaymusic
INSTAGRAM: https://www.instagram.com/theamaymusic
YOUTUBE: www.youtube.com/@theamaymusic

INDIGENOUS IN MUSIC WITH LARRY K AND THEA MAY

ABOUT THEA MAY

Don’t bother with anything but honesty with TheaMay. An emo kid at heart, the Anishinaabe artist from Atikameksheng Anishnawbek, near Sudbury, ON, makes music because she has to. As a child, singing, dancing and performing was driven by impulse, an inner force of truth that found its way out. Now as an adult, May is a songwriter finding her purpose, or more accurately, understanding the purpose that found her. “My artist journey hurts sometimes, but it’s healing and it’s important that I am here to share this with the world,” says May. 

Mining, both as a metaphor for the emotional depths explored in her songs, and an actual day job for a time, is a handy prompt to consider what it might be like to be in May’s position, an artist out of instinct, talent, and necessity. There’s something very precious within. “We bare our souls so you don’t have to, we provide safe space in an unsafe place. I’m grateful to be able to connect with people who share pain in this world.” 

Brought to You by Tragedy, May’s first EP with her new label, is a raw-edged, candid and gutsy collection that May describes as “healing out loud,” with songs of immeasurable grief, defiance and resolve in equal parts. Throughout the EP, May wields her raspy, rock-ready voice on torched ballads and emo screamers alike. On “Gone,” driven by 90s power chords and red-hot rage, May channels the energy of classic pop punk break-up anthems into a song of permanent loss, about the shock and fallout of sudden death. “This song is everything I didn’t get to say,” says May. “The chorus? That’s me screaming at him, calling him out for leaving me like this, for making me figure out how to exist in something we were supposed to build together. It’s grief, but it’s also defiance. I’m not the kind of girl you get to leave like this.”

“None of this music should exist, but it does,” says May. “Brought to You by Tragedy is not just one tragedy,” continues May. “To date I’ve lost so many people that I’ve known well. And that is normal for a Native person. I’m going to say that hard, I’m gonna say that with my chest, because we are not strangers to compounded and very complex grief and trauma. I just happened to be blessed with a gift to express it in the way that I can.” Ultimately, Brought to You by Tragedy, TheaMay’s commanding entrance, is a thrilling, thrashing, compelling and compassionate work of love. 

A kindred bridge enthusiast, May is determined to craft her own distinct eras, starting now with an EP that establishes her powerful voice and clear directive. Offered to others for the same reason she does it herself, for May, music is a place of renewal: “I am on this journey for every version of me that suffered, I am on this journey for every person who fears that sadness and darkness are all that exists, I am on this journey to normalize a path we all walk.” 

THEA MAY – BROUGHT TO YOU BY TRADEDY

INDIGENOUS IN MUSIC WITH LARRY K AND THEA MAY
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“Guarding the Ancestors in Florida: A Conversation with AIM Leader Robert Rosa”

INDIGENOUS IN THE NEWS WITH ROBERT ROSA, AIM LEADER

“On this week’s edition of Indigenous in the News, we’re honored to welcome a passionate advocate, organizer, and protector of Indigenous rights — Robert Rosa, President of the American Indian Movement Central Florida.

Robert has been on the frontlines of some of Florida’s most urgent struggles involving sacred lands, burial site desecration, and the ongoing failure of institutions to uphold Native sovereignty and federal protections like the Native American Graves Protection and Repatriation Act — known as NAGPRA.

As a leader within AIM, Robert has worked tirelessly to hold contractors, developers, and public officials accountable when sacred Indigenous burial sites are threatened or destroyed. His work isn’t just about resistance — it’s about education, justice, and healing.

Today, he joins us to shed light on the battles unfolding across Florida where Native history is being bulldozed in the name of profit — and to share how community members, tribal nations, and allies can take action to protect the ancestors and the laws that were meant to honor them.

INDIGENOUS IN THE NEWS WITH ROBERT ROSA

ABOUT ROBERT ROSA

Indigenous in the News with Robert Rosa

Robert Rosa is the dedicated President of the American Indian Movement (AIM) Central Florida chapter and an active advocate for the protection of Indigenous heritage and sacred sites. Under his leadership, AIM Central Florida has successfully intervened in multiple cases where developers attempted to disturb Native mounds and burial grounds. Notably, in February 2023, Rosa played a key role in persuading Jupiter’s Historical Review Board to deny a permit for excavation at a site containing ancient Indian mounds, resulting in the land’s protection.

A member of the Taino community, Rosa has also worked collaboratively with Miccosukee and Seminole tribal representatives to challenge unauthorized digs across the region, emphasizing respect for ancestral lands and cultural sovereignty seminoletribune.org. He is known for persistent public advocacy, attending local government meetings, raising community awareness, and helping secure protections at sites with deep historical significance .

Committed to preserving these sacred spaces, Rosa continues to lead grassroots campaigns across Central Florida—challenging developers, mobilizing allies, and ensuring that Indigenous voices are central to decisions about land use and cultural heritage.

CONTACT AIM CENTRAL FLORIDA

Email: [email protected]
Facebook: www.facebook.com/AIMCentralFlorida
Linkedin: https://www.linkedin.com/company/american-indian-movement-central-florida/?viewAsMember=true

ABOUT NAGPRA

Purpose

  • To protect Native American burial sites on federal and tribal lands.
  • To ensure that Native communities can reclaim ancestral remains and sacred items from museums and federal institutions.
  • To prevent construction and development projects from disturbing Native graves without proper consultation and procedures.

Who Must Comply

  • Federal agencies
  • Public museums that receive federal funding
  • Developers or contractors working on federal or tribal lands

Main Requirements

  1. Inventory and Repatriation
    • Museums must inventory and identify Native remains and objects in their collections.
    • Institutions must notify and work with tribes affiliated with those items for their return.
  2. Discovery on Federal or Tribal Lands
    • If Native human remains or cultural items are discovered on federal or tribal land, the agency or contractor must:
      • Immediately stop all activity.
      • Notify the appropriate tribes.
      • Follow a respectful process for possible repatriation or reburial.
  3. Consultation with Tribes
    • Before any project that might impact cultural sites, agencies are required to consult with affiliated Native nations.

Penalties

  • Institutions that fail to comply can face civil penalties, lawsuits, and loss of federal funding.
  • Unauthorized excavation or possession of remains or sacred objects can result in criminal prosecution under related laws like the Archaeological Resources Protection Act (ARPA).

Limitations and Challenges

  • NAGPRA only applies on federal or tribal lands, not private property—this is a major loophole.
  • Enforcement is often slow, inconsistent, or ignored.
  • Developers sometimes evade the law through poor oversight or weak local enforcement.

Why It Matters

For Native communities, NAGPRA is more than a legal tool — it’s about respecting ancestors, preserving identity, and healing historical trauma. It helps restore cultural sovereignty by allowing tribes to reclaim sacred pieces of their past.

INDIGENOUS IN THE NEWS

Underwriters & Partners

  • Cars
  • Native Voice One
  • zenbusiness
  • Say Magazine
  • Pacifica Network
  • Adobe
  • PRX
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